DENISE LASALLE - STILL THE QUEEN
I'm Still the Queen
[5:30]7.9 Mb
Dirty Freaky Man
[5:15]7.5 Mb
You Should Have Kept it in the
[4:21]6.3 Mb
What Kind of Man is this
[3:55]5.7 Mb
Funky Blues Kind of Mood
[3:50]5.4 Mb
Cover it Up
[4:16]6.1 Mb
Who Needs You
[3:29]4.9 Mb
In A Midnight Mood in the Midd
[5:05]7.3 Mb
Unlovable Habits
[4:17]6.1 Mb
Theres No Separation
[6:15]9 Mb
Denise Lasalle "Still the Queen" Album Review
She is Still the Queen
When it comes to Soul-Blues which she specializes in, she is unmatched by anyone. Her vocals are and soul-drenched and unmistakable. The first single "There's No Seperation" is very insightful as well as a good social commentary song. Other highlights are "I'm Still the Queen", "In A Midnight Mood In The Middle Of The Day", "Who Needs You", "Cover It Up", "What Kind Of Man Is This", "You Should Have Kept It In The Bedroom", etc. This will be a welcome addition to your music collection as well as her other releases.
VAN MORRISON - HYMNS OF SILENCE
Professional Jealousy
[3:46]5.3 Mb
I not Feeling it Anymore
[6:35]9.4 Mb
Ordinary Life
[3:33]5.1 Mb
Some Peace of Mind
[6:27]9.2 Mb
So Complicated
[3:21]4.8 Mb
I Can't Stop Loving You
[3:56]5.7 Mb
Why Must I Always Explain
[3:53]5.6 Mb
Village Idiot
[3:16]4.7 Mb
See Me Through part 2
[3:12]4.6 Mb
Take Me Back
[9:11]13.2 Mb
By His Grace
[2:37]3.8 Mb
All Saints Day
[2:31]3.6 Mb
Hymns to the Silence
[9:42]13.9 Mb
On Hyndford Street
[5:21]7.6 Mb
Be Thou My Vision
[3:50]5.4 Mb
Carrying A Torch
[4:28]6.4 Mb
Green Mansions
[3:41]5.2 Mb
Pagan Streams
[3:40]5.2 Mb
Quality Street
[3:59]5.7 Mb
It Must Be You
[4:10]6 Mb
I Need Your Kind of Loving
[4:32]6.5 Mb
Van Morrison "Hymns of Silence" Album Review
It Must Be True...It Must Be You...That's What They Say In Those Storytbooks Of Old
Throughout the late sixties and the seventies Van could do no wrong. Albums like St Dominick's Preview, Tupelo Honey and Moondance were about as close to perfection as one could imagine. I began to notice some cracks developing with A Period Of Transition, Wave Length, Beautiful Vision and Inarticulate Speach Of The Heart. The eighties brought about a change in record labels and a change in the music. No Method, No Teacher, No Guru brought forth a more introspective Van. The trend continued with A Sense Of Wonder and the beautiful Poetic Champions Compose, an album that restored my faith in The Belfast Cowboy.
That brings us to Hymns To The Silence. Van kicks it off with Professional Jealousy...."They say the truth is stranger than fiction". Not Feeling It Anymore..."Too many cooks are trying to spoil the broth" and All Saints Day...."Won't you come and see me on All Saints Day".
This collection just brims over with vintage Van, paying homage to his early days on Hynford Street...Take Me Back and a beautiful cover of the Ray Charles classic I Can't Stop Loving You. Van bares his soul on the very moving Why Must I always Explain..."There were hypocrites and paracites and people that dream". Van covers all the bases here, from R&B to Bee-Bop, Skiffle to Irish Folk, Country & Western and Gospel. He makes all these his own. Green Mansions sums it up best...."The story does unfurl...Waiting on that day to come". And how about that Village Idiot..."He's complicated...He must know somthin'....He's just not saying".
Rave on Van....Rave On ole' Belfast Cowboy...Van The Man...Keep on lifting me...Lifting me up. "It must be true..It must be you...That's what they say in those storybooks of old".
ELLIS HOOKS - UNDENIABLE
Something 4 Everyone
[4:18]6.2 Mb
Everythings Falling Around Me
[3:42]5.3 Mb
I release You
[3:55]5.6 Mb
Blaze Up the Town
[3:46]5.4 Mb
I Been There
[2:49]4 Mb
Your Love is Too Strong
[3:09]4.5 Mb
Undeniable
[3:36]5.1 Mb
Gypsy Head
[3:53]5.6 Mb
Hole in My Heart
[3:23]4.8 Mb
Waiting for the Rapture
[3:10]4.5 Mb
To Get Close to You
[3:26]4.9 Mb
Your Last Chance
[3:57]5.7 Mb
Burnt by the Flame of Love
[3:21]4.8 Mb
Ellis Hooks "Undeniable" Album Review
Why isn't this guy more famous?
I first heard this when Andy Kershaw played it on his BBC Radio 3 show. It's rock-solid R&B/blues/soul that echoes back to a bygone era, but it's not derivative--he has his own voice. Interesting fact: he's one of 16 kids. Yikes!
Video BBC ELLIS HOOKS JON TIVEN GLEN MATLOCK M DITCHAM & A.KERSHAW
ELLIS HOOKS & JON TIVEN DINGWALLS LIVE BBC Radio ANDY KERSHAW - " I WAS there and i filmed them". Silvana. Ellis Hooks Until the arrival of Ellis Hooks on the 21st century blues and soul scenes with his now-signature meld of R&B, blues and Southern gospel, it seemed that the great stories surrounding these musics had already been told and passed into antiquity with the great names assigned to them -- Otis Redding, Muddy Waters, Howlin' Wolf, James Carr, and Sam Cooke, to name a few. Not so. Ellis Hooks was born in Bayminette, Alabama, between Birmingham and Montgomery. He is the 13th of 16 children born to sharecroppers. According to legend, he didn't own a pair of shoes until he was eight. Hooks began his singing career as a child leading the church choir, but fell under the sway of the soul, blues, and country music his older brothers listened to on the radio. The voices of Sam Cooke, Otis Redding, and Little Milton were sheer enchantment for the youth. At the age of 15, Hooks decided to seek his fortune as a singer and left home. He hitchhiked across the United States, working odd jobs, and playing and singing for anyone who would listen on street corners, and eventually landed in New York. In the city he slept where he could, played the occasional club gig on Bleeker Street, and spent many days singing in Central Park. In the storied way Hooks' life has unfolded, Diana Ross heard him in Central Park and, taken with his unique vocal style which blends the soul croon and blues growl, offered him a recording session at the famed Power Station studio. Hooks balked and never showed up, later claiming that he wasn't ready and his songs weren't developed enough. Hooks wasted no time in making his next career move. He earned enough for a one-way trip to Europe and spent time living in Paris, Amsterdam, and in Milan, where he played tube stops and street corners. It's a time he looks back on fondly: "European audiences receive you; they're open and they treat you like family. In the United States you have to fight for every audience member," he told this journalist in an interview. Hooks returned to New York in 1995 where lightning struck for the second time upon meeting producer Jon Tiven. Hooks accompanied a young singer as a chaperone to an audition at Tiven's studio. While the producer was unimpressed with the singer's audition, he challenged Hooks, asking him what he did. Hooks, miffed by the dismissal of his friend, told Tiven he sang. Tiven offered the young man a guitar and a chance to prove it, and a partnership was born. Hooks and Tiven began a working partnership that has yielded no less than three fine recordings. Undeniable was issued on the European Zane label in 2002. Using a backing band under the directorship of Tiven, who plays guitar, keyboards and alto saxophone, and his bass-playing wife Sally, Undeniable caught the ear of critics all over Europe, Time Out, in the U.K., acclaimed it the soul album of the year and it earned Hooks the headline spot on the BBC's World Music Festival on New Year's Day 2003. Hooks toured incessantly,playing club gigs, and he won an opening slot for Terence Trent D'Arby, where he played for over 40,000 people. Hooks also won the admiration of Carla Thomas and appeared at both the Montreux Jazz Festival and Poretta Soul Festival as her special guest. Hooks has issued two more albums. First, there's the rollicking Up Your Mind, on the Evidence label; it was released in late 2003, and garnered Hooks a W.C. Handy Award nomination. March 2004 saw the release of the stunning Uncomplicated (entitled Hand of God in Europe) on the Artemis label, and it gathered a storm of notoriety and praise on both sides of the Atlantic from critics and fans. An album project Hooks worked on in the 1980s, The Godson of Soul, was reissued by Evidence Records on CD in 2005, followed on the label by a new album, Another Saturday Morning, in 2007. Hooks is the true continuum in the celebrated Southern traditions of soul, blues, and gospel; his voice, while reminiscent of some of the greats, is nonetheless his own, and his phrasing is a trademark. Given the powerful nature of his recordings and his now-storied intensity in concert, Hooks may indeed be the artist who brings these historic traditions back into the musical dialogue and onto the charts in the 21st century. ~ Thom Jurek, All Music Guide
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